Brush Up Your Shakespeare
Sunday, August 23, 2026
Hosted by Shan
Playlist
[05:48]
Kiss Me Kate
— Kiss Me Kate
(Cole Porter, Taming of the Shrew)
[06:33]
Something's Coming
— West Side Story
[06:49]
Romeo and Juliet
— Reefer Madness
(Kristen Bell)
[14:58]
Since U Been Gone
— & Juliet
(Lorna Courtney)
[16:41]
Hard to Be the Bard
— Something Rotten
(Christian Borle)
[16:49]
Make an Omelette
— Something Rotten
[51:59]
Follow the Rainbow
— Two Gentlemen of Verona
(Rebecca Luker)
[53:09]
The Last Blues
— Rockabye Hamlet
Transcript
[00:52]
Marquette Neighborhood Association presents the Orton Park Festival.
[00:55]
Friday, August 28th through Sunday the 30th for another round of music and culture.
[01:01]
Enjoy unforgettable live sets from Loving Cup, Jane Hobson, The Sadie's, Sharp Pins,
[01:07]
Cat and the Hurricane, Graham Hunt, Blair Crimmins and the Hookers and more.
[01:12]
All beneath the historic oak trees of Orton Park.
[01:14]
Explore local food, craft beer, artists, kids games and the world famous Orton Auction.
[01:21]
The whole festival kicks off on Friday with a performance from the Forward Marching Band
[01:25]
and a magical aerial show by Psychropia Aerial Dance.
[01:29]
Festival hours vary all three days, so get the full schedule at facebook.com slash Orton
[01:35]
Park Fest.
[01:36]
The Orton Park Festival returns Friday, August 28th through Sunday, August 30th, bringing
[01:42]
you what's festive in Madison for over 50 years.
[01:45]
This is WORT 89.9 FM Madison.
[01:52]
It's two o'clock on a Sunday afternoon.
[01:54]
Do you know where your theater kids are?
[01:57]
They're tuned in right here to 89.9 FM Madison, Wisconsin at WORT.
[02:03]
I'm DJ Shan.
[02:04]
This is Better Living Through Show Tunes.
[02:07]
Let's get into it, my friends.
[02:08]
It's the end of summer in Madison and gosh, that hurts to say, but one of the loveliest
[02:16]
things about summer in this part of our world is it means a lot of people making
[02:22]
a trek west to take in some Shakespeare, and it kind of shocked me to realize that I've
[02:27]
never done this themed show.
[02:30]
So for the next hour, sit back, relax, and brush up your Shakespeare.
[02:42]
Just a claim a few lines from Othella, and they'll think you're a hell of a fella.
[02:48]
If your blonde will respond when you flatter her, tell her what Tony told Cleo Patter
[02:55]
If she fights when her clothes you a-mussin', what a close mutton to a-mussin'
[03:01]
Brush your Shakespeare, and they'll all count out
[03:06]
Your Shakespeare, start quoting him now
[03:18]
Your Shakespeare, and now women, you will bow
[03:25]
With the wife of the British ambassador, try a crack at a Troilus and Cressida
[03:31]
Just recite an occasional sonnet, and your lap will have honey upon it
[03:37]
If she says your behavior is heinous, kick her right in the carri-o-lanis
[03:43]
Your Shakespeare, now will soothe a yellow
[03:51]
How in faith an yellow
[03:54]
How your Shakespeare, start quoting him now
[04:10]
Brush up your Shakespeare, and now women, you will wow
[04:16]
Better mention the merchant of Venice
[04:19]
When her sweet pond of flesh you would menace
[04:22]
If her virtue had froze, she'd defend well
[04:25]
Just remind her that all's well, that ends well
[04:28]
And if still she won't give you a bonus
[04:31]
You know what Venus got from Madonna's
[04:34]
Brush your Shakespeare, and they'll all count out
[04:45]
Your Shakespeare, if your guile is a Washington Heights dream
[05:10]
Treat the kid to a Midsomer night's dream
[05:13]
If she then wants an old by herself night
[05:16]
Let her rest every eleventh or twelfth night
[05:19]
If because of your heat she gets huffy
[05:22]
Simply play on and lay on the guile
[05:26]
Brush up your Shakespeare, and they'll all count for soothe
[05:32]
And they'll all count out
[05:35]
Think style
[05:36]
And they'll all count we trowel
[05:38]
And they'll all
[05:48]
And that was, of course, Brush Up Your Shakespeare from Kiss Me Kate
[05:52]
Based on Shakespeare's Taming of the Shrew
[05:55]
That was the revival cast recording
[05:58]
Which starred Kelly O'Hara, Will Chase, and Corbin Blue
[06:02]
Just, it's so funny that, I don't know, Taming of the Shrew
[06:07]
Not my favorite, not a lot of people's favorite
[06:10]
Kiss Me Kate works on a lot of levels
[06:12]
And mostly it's because of Cole Porter
[06:14]
And those brilliant, brilliant puns you just heard
[06:18]
Gosh, I love Cole Porter
[06:20]
Next, I'm gonna do a little bit of run of Romeo and Juliet riffs
[06:25]
Starting with the one that I think most people think of when they think about
[06:29]
Shakespeare being turned into a musical
[06:31]
And that's West Side Story, of course
[06:33]
Gonna play the original cast recording of Something's Coming
[06:38]
Which I think is one of the best translations of soliloquy
[06:41]
To musical theater, just a beautiful song
[06:44]
Excellent work between Sondheim and Bernstein
[06:47]
Wonderful
[06:49]
Then we'll have, just for funsies, Romeo and Juliet from Reefer Madness
[06:55]
Which you will hear Kristen Bell of Frozen and The Good Place Fame
[07:00]
Singing the part of Mary Jane
[07:02]
This song answers the question of
[07:04]
What if you just stopped paying attention in English class?
[07:08]
And then finally we'll hear a little something from And Juliet
[07:12]
We'll talk more about that one once we get to the end of this run
[07:15]
But for now, enjoy Many Takes on Romeo and Juliet
[07:51]
It's only just out of reach Down a block on a beach under a tree
[08:01]
I got a feeling there's a miracle due Gonna come true, comin' to me
[08:06]
Could it be? Yes it could
[08:12]
Something's comin', something good If I can't wait
[08:17]
Something's comin', I don't know what it is
[08:21]
But it is gonna be great
[08:25]
With a click, with a shock, phonal jingle, doral knock
[08:30]
Open the light
[08:33]
Something's comin', don't know when, but it's soon
[08:36]
Catch the moon, one-handed cat
[08:39]
Or a, or a whistle
[08:47]
Come on, liver
[08:56]
To me, will it be? Yes it will
[09:04]
Maybe just by holdin' still
[09:07]
It'll be there
[09:11]
Got something, come on in, don't be shy
[09:14]
Meet a guy, pull up a chair
[09:17]
The air
[09:23]
And something great
[09:26]
Is comin' really just out of reach
[09:36]
Down a block on a beach, maybe too much
[10:00]
Fair Juliet, what's thou likeest yon hot chocolate?
[10:04]
Oh Jimmy, where ever did you learn to speak like that?
[10:08]
Oh, it's fancy talk from Romeo and Juliet
[10:11]
Cause when a guy wants to woo a girl
[10:15]
He needs, you know, the right language
[10:18]
Are you trying to woo me, Jimmy Harper?
[10:21]
Your words that make a guy sound smart
[10:32]
Well I guess that's why they invented Shakespeare
[10:36]
His articulations of a lover's puppet
[10:39]
Is as fearless as the sea
[10:46]
My love as deep the more I get to thee
[10:50]
Oh, you sound so dreamy when talk like Shakespeare
[10:53]
A big vocabulary should be customary
[10:56]
We're a snowy duck ever here
[14:55]
Was Lorna Courtney and the cast of And Juliet
[14:58]
Singing Since You Been Gone
[15:00]
Made popular, of course, by Kelly Clarkson
[15:03]
And Juliet is a jukebox musical
[15:06]
Celebrating the works of pop songwriter Max Martin
[15:10]
Who wrote for everybody from Kelly Clarkson
[15:13]
To the Backstreet Boys, to Britney Spears
[15:15]
And on and on and on
[15:17]
It's a really fun show
[15:19]
The premise is
[15:21]
Everyone, except for maybe Jimmy and Mary Jane
[15:23]
From the previous song
[15:25]
Knows that Juliet dies at the end of Romeo and Juliet
[15:28]
But what Anne Juliet presupposes is
[15:30]
Maybe she didn't?
[15:32]
If you get that reference
[15:34]
A thousand friendship points to you
[15:36]
But it's a really lovely thing
[15:38]
And it introduces Shakespeare and Anne Hathaway
[15:41]
As characters struggling with the ending
[15:44]
Of Romeo and Juliet, specifically Anne
[15:46]
Asking Will to maybe re-examine
[15:49]
Why this young girl needs to suffer
[15:51]
Just so very much
[15:53]
For a man
[15:55]
It's a romp
[15:57]
I'm so glad that it exists
[15:59]
And yeah, what a great show
[16:02]
Now we're gonna get to my very favorite representation
[16:05]
Of Shakespeare as a character
[16:07]
In a musical
[16:09]
We're gonna go through a couple songs from
[16:11]
Something Rotten
[16:14]
Which, if you've not seen it
[16:16]
It is a just
[16:18]
Terrific, hilarious love letter
[16:20]
To both Shakespeare and musical theater
[16:22]
Christian Borrell and the original cast
[16:25]
Got to play Will Shakespeare
[16:27]
And it's just so much fun to listen to him
[16:31]
This was the most I have ever laughed in a theater
[16:34]
Up until I saw Titanic
[16:36]
And honestly, they're kinda neck and neck for laughs
[16:39]
So, here comes
[16:41]
Hard to Be the Bard, performed by Christian Borrell
[16:44]
And then the incredible
[16:47]
Musical within a musical
[16:49]
Something Rotten slash Make an Omelette
[16:51]
Enjoy!
[17:21]
To my room where I resume my attempt to write a hit
[17:24]
Just me and my beer and the terrible fear
[17:27]
That I might be losing you
[17:29]
And it's hard
[17:31]
It's hard, it's really, really hard
[17:33]
So very, very hard
[17:35]
Easy but honey, believe me, it's hard
[17:38]
It's hard, it's hard
[17:40]
It's incredibly hard
[17:42]
So inconceivably, unbelievably hard
[17:47]
It's hard to be the bard
[17:49]
Honestly, I don't know how I do it
[17:53]
There's only so much of me to go around
[17:56]
I got so many fans or so many demands
[17:59]
I can hardly go take a piss
[18:01]
Be a theater freak or the autograph seeker
[18:03]
I don't want a piece of this
[18:05]
It's a cost that I bear, I'm like Jesus
[18:07]
I swear it's a burden, but I suffer through it
[18:10]
It's all part of the game, the trappings are fame
[18:12]
Somebody's gotta do it
[18:14]
And I know, I know, I gotta go
[18:16]
And get back to my pen and ink
[18:18]
Don't make me do it, don't make me go through it
[18:21]
Can somebody get me a drink?
[18:23]
Cause it's hard, it's hard
[18:25]
It's hard, it's really, really hard
[18:27]
It's sexy, but it's hard
[18:30]
This brazen debris, this amazing, it's hard
[18:33]
It's hard, it's hard
[18:35]
It's so annoyingly hard
[18:37]
So unavoidably, unenjoyably hard
[18:40]
It's hard to be the bard, baby
[18:45]
I know writing made me famous
[18:47]
But being famous is just so much more fun
[18:51]
You see, what people just don't understand
[18:53]
Is that writing's demanding, it's mentally challenging
[18:55]
And it's the bore, it's such a chore
[18:57]
To sit in the room by yourself
[18:59]
Oh my god, I just made it
[19:01]
And you're trying to find an opening line
[19:03]
Or a brilliant idea
[19:04]
And you're pacing the floor and hoping for
[19:06]
Just a bit of divine intervention
[19:09]
That one little nugget, that one little spark
[19:11]
Then you reek out, you find it, you're ready to start
[19:13]
So now you can write, right?
[19:15]
Wrong, you're not even close
[19:16]
You remembered the dammit
[19:17]
Your place's gotta be an iamic
[19:19]
But dammit
[19:20]
So you write down a word
[19:22]
But it's not the right word
[19:23]
So you try a new word
[19:24]
But you hate the new word
[19:25]
And you need a good word
[19:26]
But you can't find the word
[19:27]
Oh, where is it?
[19:28]
What is it?
[19:29]
What is it?
[19:30]
Where is it?
[19:31]
Blah-dee-dee-dee
[19:32]
Blah-dee-dee-dee-dee
[19:33]
Sir?
[19:35]
You ask for information
[19:36]
On what Nicholas Bottom is writing
[19:37]
Or spy, is he with the news?
[19:39]
Did he see me losing it?
[19:41]
He's half blind, sir
[19:42]
Oh good, then he only saw half of it
[19:44]
You see what I did?
[19:45]
Yes, yes, yes, wonderful
[19:47]
Speak, man, what news?
[19:49]
I saw Nick Bottom, I did
[19:51]
He paid a souce there to foresee
[19:53]
What Shakespeare's greatest play would be
[19:55]
That sneaky little thief
[19:57]
Why doesn't he come up with his own ideas?
[20:00]
It's hard
[20:01]
No, it is, isn't it?
[20:03]
It's really the worst
[20:04]
It's hard
[20:05]
Makes me wonder why I didn't think of that
[20:08]
It's hard
[20:09]
Hard to alleviate the pressure to create
[20:13]
It's hard
[20:14]
Hard to do something as good as the last thing I did
[20:16]
That was already crazy
[20:18]
It's hard
[20:19]
He is stealing from the bar
[20:21]
Well, a hoist who lies for time
[20:23]
He is a clever disguise
[20:26]
He can pay for his genius lies
[20:28]
He can do all the tedious stuff
[20:30]
The work that's terribly and thoroughly hard
[20:34]
Nick Bottom, I think Shakespeare needs to find out
[20:39]
What Shakespeare's next big hit will be
[20:41]
It's hard
[20:42]
It's hard
[20:45]
It's hard
[20:46]
It's hard
[20:49]
It's hard
[20:50]
It's hard
[20:51]
It's hard
[20:52]
It's hard
[21:10]
It's hard
[21:11]
It's hard
[21:12]
It's hard
[21:19]
There's something rotten
[21:20]
There's something rotten
[21:23]
You can spell it
[21:24]
You can tell it's something rotten
[21:26]
Now the kingdom is shot
[21:28]
And it's all gone to part
[21:30]
Heaven help us
[21:31]
There is something rotten
[21:38]
My father, newly dead
[21:40]
And the funeral boiled eggs now coldly furnish forth the marriage table
[21:44]
Methinks another chef might have whisked our disparate eggs together as one
[21:49]
Pray, nephew, what dost thou mean?
[21:52]
Well, I'll tell you
[21:53]
The fruit of life can't always taste like sweet persimmons
[21:57]
Sometimes it's hard to swallow, I'm afraid
[22:01]
But when life has handed you some lemons
[22:06]
Then handed back a mug of lemonade
[22:10]
My father said this to me
[22:12]
That he did and then he blew me
[22:15]
Away with wisdom, simple and concise
[22:19]
He said, Eggbert, life is merely what you make of it
[22:24]
So he'd sacrifice
[22:33]
You make wine from sour grapes
[22:35]
You got a flat pancake
[22:37]
Hey, call it a crepe
[22:38]
When life gives you eggs
[22:40]
Make an omelette
[22:43]
You get cola from a nut
[22:45]
A dirty worm makes silk from out of his butt
[22:48]
When life gives you eggs
[22:50]
Make an omelette
[22:53]
The solution to your troubles
[22:55]
It gives you eggs
[23:10]
You gotta make that omelette
[26:11]
There's so many contestants for the funniest bit in that song
[26:54]
But I do think it's the
[26:57]
It was white and yellow and white and yellow
[27:00]
The Joseph and the Amazing Technicolor Dreamcoat riff
[27:03]
Complete with the sopranos wailing the counter melody over it
[27:08]
So, so deeply funny to me
[27:12]
As a kiddo who was
[27:16]
Felt like I had to be torn between my love of Shakespeare
[27:19]
And my love of musical theater
[27:21]
And feeling like I was betraying one for the other
[27:24]
Honestly, something rotten
[27:26]
Feels like just the greatest payoff for Lil' Shan
[27:30]
Because it's just
[27:33]
It's so loving
[27:35]
So funny
[27:36]
Just terrific
[27:37]
Love, love, love
[27:39]
And because it is absolutely dense with references
[27:43]
Brian Darcy James in the original Broadway cast
[27:46]
One of my very favorite performers
[27:48]
As you've often heard me go on about on the show
[27:51]
He played the character of Nick Bottom
[27:54]
Nick Bottom, of course, is the name of the
[27:58]
The Weaver
[28:00]
Bottom the Weaver
[28:01]
In Midsummer Night's Dream
[28:04]
Who is turned into a donkey
[28:06]
There's a lovely joke at the end of Something Rotten
[28:08]
About Shakespeare really making an ass of Nick Bottom
[28:12]
Funny every single time
[28:15]
So, of course, that segues us nicely into
[28:18]
Our Midsummer Night's Dream section of today's show
[28:21]
Starting with one of my earliest
[28:25]
Earliest love affairs in musical theater
[28:27]
The Fantasticks
[28:29]
Which is a riff on
[28:31]
You could say Romeo and Juliet
[28:33]
But it's probably more
[28:35]
It is more accurate to say Pyramus and Thisby
[28:37]
The play within a play for Midsummer Night's Dream
[28:40]
Which stars Nick Bottom
[28:43]
Which kind of became the blueprint for
[28:46]
It's a lot
[28:48]
I'm nerding out
[28:50]
I need to stop
[28:51]
But The Fantasticks is just such a beautiful
[28:54]
And simple show
[28:56]
And this, like Ann Juliet, asks the question
[28:59]
Of what if Pyramus and Thisby didn't die
[29:01]
After getting together
[29:03]
What comes after that night
[29:07]
What is the next morning like
[29:09]
And that is answered in this
[29:11]
Probably my favorite song from the show
[29:13]
Besides The Overture
[29:15]
This is the Act II opener
[29:17]
Where things are just a little off
[29:21]
I'm about to play a bunch of weird songs
[29:23]
So I'm going to hop in a little bit more often
[29:25]
Just to give you some context for things
[29:27]
But let's get started with
[29:29]
This plumb is too ripe
[29:49]
Their moon was cardboard
[29:51]
Fragile
[29:52]
It was very apt to fray
[29:54]
And what was last night's scenic
[29:56]
May seem cynic by today
[29:58]
The play's not done
[30:00]
Oh no, not quite
[30:01]
For life never ends in the moonlit night
[30:04]
And despite what pretty poets say
[30:06]
The night is only half the day
[30:09]
So we would like to truly finish
[30:11]
What was foolishly begun
[30:13]
For the story is not ended
[30:15]
And the play is never done
[30:16]
Until we've all of us been burned a bit
[30:18]
And burnished by the sun
[30:21]
Plumb is too ripe
[30:32]
Sorry
[30:33]
Please don't watch me while I'm eating
[30:39]
Sorry
[30:43]
You are about to drown that magnum
[30:45]
Sorry
[30:46]
You're standing in my cup
[31:19]
And sunsets take away
[33:02]
This plumb is too ripe
[33:08]
Just so much fun
[33:09]
This next song is real non-traditional for this show
[33:13]
There is no cast recording
[33:15]
For this Midsummer Night's Dream musical
[33:18]
But I want to include it because
[33:20]
One long-time listeners of the show
[33:23]
Know how much I love disco
[33:25]
And this was directed and conceived of
[33:29]
By Diane Paulus
[33:31]
Who's one of the most respected directors
[33:34]
Right now on Broadway
[33:36]
She did The Hair Revival with Gavin Creel
[33:38]
She directed Masquerade
[33:40]
Currently running in New York
[33:42]
Not off Broadway, not on Broadway
[33:44]
The immersive phantom experience
[33:46]
Diane Paulus is no joke
[33:48]
And she put together
[33:50]
I cannot believe I'm about to say this on the air
[33:53]
The title of this adaptation
[33:55]
Of A Midsummer Night's Dream
[33:57]
Is The Donkey Show
[33:59]
Yep
[34:00]
There is very little out there about this musical
[34:03]
But people have pieced together what
[34:06]
It was a jukebox musical, all disco songs
[34:08]
People pieced together the playlist for it
[34:13]
I have to imagine that this song was sung by Helena and Hermia
[34:17]
I hope someday, honestly, it gets a revival
[34:20]
It was done in 1999
[34:22]
I'm for sure intrigued
[34:24]
They for sure need to rename it
[34:26]
Um...
[34:28]
Yeah
[34:29]
But anywho
[34:30]
Please enjoy the ever fantastic
[34:33]
And friends of Broadway themselves
[34:35]
Barbara Streisand and Donna Summer
[34:37]
Singing No More Tears, Enough is Enough
[34:40]
Boring me to tea
[35:12]
After all these
[35:16]
No sunshine
[35:22]
No moon
[35:23]
No stardust
[35:25]
No sun
[35:28]
But he turned out
[35:55]
I love nothing
[36:06]
This next one part of me toyed with being like
[39:26]
Ooh, can you like, I'm gonna play it
[39:28]
You have to guess what, you'll never guess
[39:30]
It's so insane
[39:31]
Uh, I hope you like sci-fi
[39:33]
I hope you like the music of the sixties
[39:35]
I hope you like William Shakespeare
[39:37]
Because here comes Return to the Forbidden Planet
[39:40]
Which is a take on the Tempest
[39:43]
Uh, this song is the animals
[39:45]
We've got to get out of this place from 1965
[39:48]
In this wild, wild, but really fun cast recording
[39:54]
Um, it's a jukebox musical of all like sixties era songs
[39:59]
It's fun, it's great
[40:01]
This one has a kind of abrupt ending
[40:03]
So I'm gonna play right on through to the next song
[40:05]
After it, which is Jailhouse Rock
[40:09]
From All Shook Up
[40:11]
Which is an Elvis jukebox musical
[40:14]
Of meh, kind of a pastiche of all of the comedies
[40:18]
It's mostly Twelfth Night
[40:20]
There's a little as you
[40:21]
There's very little much ado
[40:22]
God, my kingdom for a musical version
[40:24]
Of much ado about nothing
[40:26]
It's my favorite
[40:27]
As a suggestion for any budding writers out there
[40:30]
Uh, carpenters
[40:32]
Carpenter's songs would do real well
[40:34]
With much ado about nothing
[40:36]
You're welcome
[40:37]
Uh, but here's Return to the Forbidden Planet
[41:33]
For your time is due
[41:35]
What's your daddy in bed?
[41:39]
What's his helping attorney?
[41:42]
He's been working and slaving his life away
[41:48]
Oh yeah
[43:52]
Find a partner, use the word in his whole cell box
[45:29]
It's just so much fun
[45:30]
That was performed by Cheyenne Jackson
[45:32]
Friend of the show
[45:33]
He played Danny
[45:34]
The Living Statue
[45:35]
And 30 Rock
[45:36]
He played
[45:37]
Let's see what else
[45:38]
Oh he was Sonny Malone
[45:39]
In Xanadu
[45:40]
Which I have played so many times for y'all
[45:43]
And he also most recently played Mary's teacher
[45:46]
In O'Mary
[45:48]
Right alongside Jane Krakowski
[45:50]
Which, gosh, it seemed like they had a blast on that one
[45:53]
Up next we've got
[45:55]
The Boys from Syracuse
[45:58]
Which is a take on comedy of errors
[46:01]
It's a Lorenz Hart and Richard Rodgers piece
[46:04]
Really some great, great pieces in it
[46:07]
That have mostly been kind of taken out
[46:10]
And put into other shows
[46:12]
For better and worse, this song in particular
[46:15]
I fell in love with
[46:16]
Ha Ha
[46:17]
When it was in the Cinderella
[46:20]
That starred Whitney Houston and Brandy
[46:23]
Really fabulous performance by Bernadette Peters
[46:26]
On this song
[46:27]
But you really can't beat this recording
[46:30]
By the peerless Rebecca Luker
[46:32]
Please enjoy
[51:05]
That was
[51:59]
Follow the Rainbow from Two Gentlemen of Verona
[52:02]
I had a really nice through-line plan for this entire show
[52:05]
And would you believe it?
[52:07]
This is not shocking
[52:08]
It all fell apart with me trying to include
[52:11]
Two Gentlemen of Verona
[52:12]
An endless problem play
[52:15]
In so many different ways
[52:16]
And today it is my problem play
[52:18]
It's an interesting show
[52:19]
Roll Julia was in the original cast on Broadway
[52:22]
It has one of the most puzzling posters I've ever, ever seen
[52:26]
For a Broadway show
[52:27]
But, you know, it's worth talking about
[52:31]
I like playing it for you
[52:32]
I am coming to an end to my time, my dear friends
[52:36]
I'm sorry to say it
[52:37]
But good news
[52:38]
You've got On the Horizon coming up next
[52:40]
And I will be joining you for one last show
[52:44]
That's right
[52:45]
September, first Sunday of September is my last time
[52:48]
Doing Better Living Through Showtoons
[52:50]
Scheduled
[52:51]
I have offered to be a swing, as it were
[52:55]
But yeah, so please tune in
[52:57]
I have so enjoyed my time with you
[53:00]
We're going to end with arguably the greatest of Shakespeare's plays
[53:04]
A couple of songs in shows that are based on Hamlet
[53:09]
The first of which being The Last Blues from Rockabye Hamlet
[53:12]
And the final song I think you will all recognize
[53:17]
If you want to argue with me
[53:18]
You go right ahead and find me on the WORT website
[53:23]
And tell me how I'm wrong, but I'm not
[53:26]
I hope you have a terrific Sunday
[53:28]
And I look forward to chatting with you again soon
[60:40]
At 2 p.m. it's Louisiana's great Soul Blue singer Crystal Thomas
[60:44]
Performing with an All-Star band
[60:46]
Then at 4 p.m. it is time for the duo of Annika Chambers
[60:49]
And Paul DeLaurier from Florida to take the stage with their band
[60:53]
Closing out the day at 6 p.m. is none other than Rick Estrin
[60:57]
And the Night Cats coming out from the Bay Area
[61:00]
There will be vendors to provide an assortment of tasty foods, beer, and wine
[61:05]
Ticketing and camping information is available at Crossroadsbluesociety.com
[61:10]
That's the 17th annual Crossroads Blues Festival
[61:13]
On Saturday, August 29th at Liren Park in Rockford, Illinois
[61:18]
You are listening to WORT, Madison
[61:37]
At L-I-T-E-W-I-R-E dot net
[61:40]
Or by phone 888-825-2005